Tag Archive: Tokyo
Last month I attended and participated in the Moshi Moshi Nippon Festival in the Tokyo Metropolitan Gymnasium. A three-day event, it’s essentially a gig with the theme of cultural promotion. Thus, there are food stalls all around the venue, some fashion and entertainment brands with stalls near the entrance, and non-musical performers related to other elements of Japanese culture. I was there for all three days, and very happy to be a part of it! Friday’s theme was ‘Moshi Ani’ – the anime-themed day, and also the day I was onstage. I was part of the World Cosplay Summit’s performance slot, essentially one of several token foreigners there to highlight the ‘World’ part of WCS. I arrived early and already in cosplay, and there was no rehearsal, so I got my backstage wristband and went to watch what was happening onstage. Unfortunately only caught the very end of the Tempura Kidz’ opening show performance, but would see them several more times over the weekend, so that wasn’t a big issue for me. Also managed to wave at Pi-chan backstage, which was a nice moment! After the opening show was Hachioji-P, a Vocaloid producer who’s been pretty successful. I watched about half his set before being called backstage again – I enjoyed what I saw, but I’d have been more interested to see OSTER Project, KID-P or Kikuo…though I guess Kikuo’s dark songs wouldn’t be all that appropriate for the bright, happy setting! Backstage we were given lots of free snacks and some tasty bento. It was fun seeing the other performers, though the bigger bands had their own dressing rooms. Eventually our time came and we took to the stage, striking poses and then lining up together. The stage was much bigger than I’d expected, and it was a thrill to have huge screens with our faces behind us – basically I feel I should have put in a bit more effort for this event than just borrowing a cosplay and using my real hair even though it wasn’t quite long enough to style like Ace and had visible roots! Hey ho, it was great fun and I met some very lovely people who were also cosplaying. It’s a nice little community and I do hope to do more. For a while I was worried no photos would appear, but we got good ones in the end! As with the similar event on Hallowe’en, Japan’s current WCS representatives, Mariko and Mahio did their impressive performance as Kouen and Hakuryuu from Magi, and I took the opportunity to tell them how jealous I was of their skills! Returned to the audience area to watch Livetune+. The DJ, KZ, is another popular Vocaloid producer, best known for ‘Packaged’, though my favourite is ‘Last Night, Good Night’. I didn’t recognise much, including the song with May’n, but it was a fun and energetic set. The day 1 headliners were SID. I didn’t know who they were when I saw them – a pretty standard-looking hard rock band who apparently used to be much more Visual Kei – but as they played more and more I realised why they were closing the anime-themed day. ‘Oh, that’s the ending for Fullmetal Alchemist: Brotherhood. Oh, and that’s the latest Kuroshitsuji opener. Ah! And I love that opening song for Magi!’ They were a polished and accomplished band, and while I wouldn’t go to see them elsewhere, I’m glad I got to see them perform and was impressed in particular by the singer’s voice. On day 2, ‘Moshi Pop’, there was a bit of confusion for me. A group of us went thinking we would be in some fashion event representing foreigners interested in various Japanese brands, but as it turned out, they just wanted us to go in a ‘Challenge Runway’, which was basically open to anyone to sign up and walk on the stage with. I would have been the only person with a Y chromosome in the whole show and there was next to zero coverage for it, plus I was wearing something pretty odd (Alice and the Pirates kodona-style cutesiness), so I bravely chickened out. I watched my friends take part, though – and some of the little nihon buyo performance afterwards. Then we did our own little mini photoshoot outside, which I was quite pleased with. After a diversion to Harajuku to eat pizza, I returned to the venue to watch some free music! I got back in time to see a bit of Silent Siren, a cheerful Harajuku-kei girl band. That was followed by a slightly odd reveal of a competition for, as far as I could tell, providing the voice for a big bald miso soup mascot. Next came a performance from a DJ who seemed to like electroswing and broken beat, backed up by dancers from the Kawaii Monster Café – best of which was a big ole pink cat. Afterwards came the Tempura Kidz once again. Adorable as ever, with their precise dance moves and silly gurning. Compared with when I saw them in Harajuku, this event had the advantage of having a section of the audience reserved for us gaijin (slightly odd to be segregated, but I didn’t mind) so I could see everything from as close as it was possible to get! And with the day’s performers very much based on visual impact, that was a distinct advantage. Oddly enough, the next segment was an advert for a television, but it made a degree of sense when it was revealed that Kyari Pamyu Pamyu had just filmed the CM for the product and was being interviewed for it. Was fun to see her, especially in a much more eccentric outfit than she wore for her actual performance the next day, but still felt a bit odd to have her flogging a TV in the middle of what was essentially a gig. Back to the music next, with girl group 9nine, who had some very enthusiastic fans in the audience. The hardcore fans’ genders switched for poppy visual kei boyband Kameleo, who I wanted to see earlier in the year. They only played three songs, the best of which was ‘Dame Otoko’, and they’ve reached a curious and unique situation where they’re half actual band and half boy-band, so that some songs have them on instruments and others don’t. I still really like the band and their silly, goofy way of having fun – including making everyone in the audience shout about nose hair. Next, after an impressive parade of fine kimono, was solo singer Natsume Mito, with a fun dance using traditional paper fans with a Fuujin and Raijin masked dancer on either side. She was cute with her Sarang-chan hairstyle and obviously had a lot of love from her fans, but maybe needs more catchy songs. Next, rather killing the momentum of the show, we had some live hairstyling, which I confess largely left me baffled. However, by then a huge crowd had gathered for the day’s headliner – who perhaps fit the Sunday theme better than Saturdays and could have swapped with Kyari. I had of course heard of them as they’re pretty ubiquitous in Japan, constantly appearing on variety shows, but this was my first actual exposure to the music of Golden Bomber. I had no idea what to expect, so initially I was baffled. They came out miming very, very badly to the track playing. The guitarist kept stopping his miming and the drummer didn’t even bother to hit the cymbals with his weird thick sticks. My first thought was that this was terrible – and looking at all the girls headbanging as though they were listening to Pantera, I wondered if they could possibly think this was a real band and be so clueless about music. Then of course it became very obvious that, in fact, that was the joke. I didn’t realise that Golden Bomber were not only a joke band, but a band that exists to poke fun at the clichés of pop-rock and the lack of substance in visual kei. The concept is actually quite an ingenious one, and the fact that these guys get to have an absolute blast while they skewer the bands around them who take miming to other people’s music oh so seriously. The singer actually performs, and has an impressive voice, and two of the other members have the bodies of professional models, which of course helps with the appeal to the ladies. Essentially, the band’s concept is attractive men pissing about pretending very badly to play music while decent if generic rock music plays in the background – interspersed with some very funny comedy skits usually revolving around making the drummer show his bum or wear a dress. It’s refreshing, very silly indeed and extremely fun to watch. I was won over very quickly and think they’re brilliant. On Sunday I had to work and also get some writing done, so even though I wanted to watch the brilliant synchronized dancing of World Order, I had to skip them. Instead I arrived for Capsule, who were loud. I only know their song ‘Starry Sky’, because it was in the ‘Nanairo no Nico Nico Douga’ medley, but I certainly enjoyed that. Then of course came the headliner, who had drawn a far bigger gaijin crowd than anyone else over the weekend – Kyari Pamyu Pamyu. Her set wasn’t an obvious one – no ‘Pon Pon Pon’ or ‘Mondai Girl’ – but seeing her perform ‘Ninja Re Bang Bang’, I think that became my favourite song of hers. Kyari has a very interesting charm. She’s clearly not a consummate musician. Nor is she a dancer. She mimes her lyrics as she does simplified versions of her backing dancers’ moves. She’s almost lazy in her delivery and her songs are known for being childish and simple. But that’s part of the complete package, which works very well. Essentially, she’s an aspirational fantasy, not for those who want to work hard and meticulously perfect their craft (which isn’t to say behind the scenes Kyari has not done these things) but for the fantasy of lazily drifting into an incredibly cute world where everything revolves around you with very little effort on your part. Which is actually a common and compelling fantasy! The music is superbly-produced, her new Hallowe’en song was daft and adorable – par for the course – and though I would have quite liked a Tempura Kidz reunion dance, there was no faulting the enthusiasm and expressiveness of her current dancers. I enjoy that facial expressions are very much part and parcel of that Harajuku-kei backup dance scene. Overall, Moshi Moshi Nippon’s weekend was a pretty remarkable event, an impressive mini-festival with a lot of variety, prominent musicians and an extremely high entertainment factor. I would absolutely go again – and was honoured to have taken part in my small way! Pic sources: https://www.facebook.com/ksuke.shibata ww.moshimoshi-nippon.jp www.alamy.com http://v-kei.jp/ www.japantimes.co.jp http://anz-media.com/
I have to say, when I went to Tokyo Disneyland around a week ago, I didn’t expect to be back for Disney Sea so soon. But we had a free day, it was bright sunny weather and it just felt right to go back again. And I’m glad we did! Tokyo Disney Sea is my favourite of the two parks. It’s got the strongest theming of any theme park I’ve been in, and I love the Journey to the Centre of the Earth ride, which took me completely by surprise the first time I rode it and still really enjoy the feeling of ‘air time’ it gives. Then when I went two years ago, they’d added the Tower of Terror and I think that’s another brilliant thrill ride, fun to experience and with perhaps my favourite theming of any ride I’ve been on. A few unusual circumstances made our visit this time feel a little empty, with some dead time where there wasn’t anything we wanted to do – unusual in a theme park – but that was largely because ‘Raging Spirits’ was closed for maintenance (in 3 visits I’ve never actually gone on the ride) and the Toy Story ride inexplicably never went below a 2-hour wait, which it really doesn’t deserve. As we got fast-pass tickets for my two favourite rides and didn’t need to queue for those, we actually had time to spare. Well, most of that time would have been used on a Raging Spirits queue and once the Frozen area opens in 2017 that won’t be an issue again, so it’s not as though I think the park is dull. After buying clip-on Stitch ears, we started our visit with a walk-around, stopping to grab Tower of Terror fast passes and to watch a little performance led by Lumière the candle about food from different parts of the world. I expected lots of vaguely racist stereotypes, but mostly it was just fun dancing in vaguely ethnic costumes – and we were quite amused by the idea of singing about curry to the tune of the Spice Girls’ ‘Spice Up Your Life’. After that, we queued up for the Indiana Jones ride, which is a fairly tame but bumpy ride through the character’s usual archaeological adventures. I’m not hugely keen on the ride but it’s nicely-presented and the designs of the queuing area are great. We still had time after that so went on the 10,000 Leagues Under the Sea ride – basically a ghost train with an underwater theme that has effects to make it seem like you’ve gone under water. That left us at a good time to watch the water-based show based on the Disney villains that’s set up for Halloween while munching sea-salt ice cream ‘Monoka’. The show was entertaining – there were themed boats for Maleficent, Captain Hook, Hades, the Wicked Queen and Jafar. They were joined by the usual Disney gang decked out to match them, as pirates or evil queens etc. As a highlight, the prow of Maleficent’s boat converted to reveal another villain, but I won’t spoil the surprise in case anyone is going to see the show. Because the boats are a little far from the crowd, dancers came to entertain the crowds, and wonderfully campy music played for each baddie – and somehow both ‘utsukushii to ayashii’ and ‘eerie yet elegant’ sounds really amusing to me. After that we got some Halloween-flavoured murasaki-imo snacks before our fastpass tickets came up for the Tower of Terror. It was almost a shame to quickly pass through the brilliant themed queue area, with all the murals of the nasty colonial proudly going home with the treasures of other countries while the natives angrily try to give chase, but there was time to see the best of it. The disappearing doll effect remains impressive and the repeated drops are still a whole lot of fun, especially when there are some real screamers in the lift with you! Next was StormRider, the simple little simulator ride. Had front row seats, which is good for the immersion, but sadly you miss the ceiling effect if you don’t know it’s coming. This was probably the last time I’ll ride StormRider, though, as it’s soon to be converted to a Finding Nemo ride. Honestly, I think that can only be an improvement. Checked out the Aladdin world, which is as well-themed as the rest of the park, with little nods to the Alhambra, and then Triton’s Kingdom. Neither had attractions we cared for much, but the shopping was interesting, including inside the weird whale in Triton’s Kingdom that is meant to be ‘sleepy’ but mostly looks very perverted. After that it was time for dinner, and while the Halloween buffet was tempting, going on rides after getting your money’s worth from an all-you-can-eat buffet seemed a bad idea, so we got burgers in the funny little restaurant where they show you the story of Duffy, followed by some panacotta in an Italian restaurant. Then it was time for the big night-time water show, Fantasmic! Stitch is a relatively rare sight in Disney Sea, considering how ubiquitous he was in Tokyo Disneyland, but he and Angel got an appearance in the show. The best part remains when the dragon Maleficent appears, however. There was meant to be a fireworks show afterwards, but inexplicably they cancelled it, citing bad weather – even though the weather couldn’t have been more perfect the whole day and we could soon see the Tokyo Disneyland fireworks going off. Oh well! We’d secured Fastpass tickets to Journey to the Centre of the earth, and ended the visit on a high note. The ride starts off deceptively lame, but then there’s a genuinely impressive final setpiece before the big thrill at the end, and I still love the feeling you get in that final part. Perhaps we should have queued up to go on the ride earlier as well – I certainly wouldn’t have minded going twice! So ended our double Disney trip – and I have no shame whatsoever in saying I love visiting the parks and being entertained.